Wendy Crewson

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CBC uses holiday weekend to air Sex Traffic, gritty prostitution miniseries
Updated at 13:10 on October 7, 2004, EST.

TORONTO (CP) - For those who believe slavery and flesh markets are a thing of the past, Sex Traffic, a gritty and unsavoury two-part miniseries airing on CBC this Thanksgiving weekend, will prove to be an eye-opener.

Trafficking of drugs and weapons are among the most profitable businesses in the world but the trade in human beings remains a close third, according to the United Nations. It is a $7 billion global business, say the creators of the Canada-U.K. co-production which follows the plight of two young women from Moldova, who are lured with the promise of legitimate work in London but are instead abducted into an international prostitution market.

"It really is a slave-trade happening in the heart of Europe," explains British-based producer Derek Wax. "It's grown quite exponentially since the collapse of the Soviet Union, really. The economic collapse of certain countries, particularly the Ukraine, Moldova, Romania, have left literally hundreds of thousands of people with incomes of less than $15 a month and no hope of any life or opportunity (and) has made them very much prey to traffickers."

He says the U.S. State Department estimates between 600,000 and 800,000 people are trafficked across international borders each year and that both UNICEF and Amnesty International have commended his production.

Sex Traffic got its inspiration from Traffic, both the movie and the miniseries about the drug trade. Wax says many former drug traffickers are now dealing in women and girls because they find it less dangerous.

"It's just as ruthless and in many senses more so," adds Wax. "There seems to be no downside because they simply dispose of the girls if they prove to be problematic."

This "disposal" is disturbingly portrayed in the film when one of the victims, who has been passed from Moldova to Romania to Serbia and then en route to Italy is simply dumped overboard into the Adriatic to distract a pursuing police boat.

Described as "inspired" by real events, Sex Traffic, in its realistic portrayal of a seamy, ruthless underworld, pulls no punches. There are many scenes of nudity and perhaps the most graphic rape scene ever to air on conventional television. But because it's about punishment and control, not sensuality, Wax says such imagery is not gratuitous.

"We felt we needed to be true to that moment," he says. "The reason why the girls are anally raped is because they don't want to get them pregnant. . .because they're less useful to them."

Canadian actor Wendy Crewson, who has a leading role, admits to finding the sequences disturbing but nevertheless has to agree they are valid.

"You can't get away from the fact that that's what it is," she says. "To bring it home like that, that's what you needed to do."

Crewson starred in the lauded 2002 Canadian TV film The Many Lives of One Jane Doe, based on a true story of a Toronto rape victim.

"It's true that rape has nothing to do with sex. Rape is about violence."

In Sex Traffic, she plays the loyal wife of a corporate executive of a Boston-based multinational company who, she learns, looked the other way when evidence surfaced that employees contracted to provide peacekeeping security in eastern Europe were involved in the sex trade.

Wax, who praised the CBC for its 30-per-cent budgetary commitment to the project, says Crewson was hardly a token Canadian hire and in fact delivers an extraordinary performance.

"She's got a very subtle expressive talent and I don't think there are many actresses who could have charted a journey as richly and expressively as she did."

Crewson says her character eventually blows the whistle in order to live with herself, but that she is slow to accept her husband's wrongdoing and that's not unusual.
"I don't think you find a wife who jumps to those things quickly," she says. "People are always amazed that they are the last ones to know what is really going on. Even smart, political educated spouses."

Sex Traffic is a co-production of Britain's Granada Television and Canada's Big Motion Pictures and was filmed in Halifax, London and Romania.

One might question the timing of the Canadian telecast. Wax diplomatically says that's a matter for the CBC but Crewson seemed skeptical that it was appropriate post-turkey-dinner entertainment.

"OK, kids, c'mon, everybody bring their pumpkin pie in here!"

No holds barred for Sex Traffic
Tough, compelling miniseries personalizes business of international prostitution
By TIM ARSENAULT Tuned In

IF YOU'RE looking for television with a purpose, look no further than the Canadian-British co-production Sex Traffic.

The gritty two-parter airs Sunday and Monday at 8 p.m. on CBC. It personalizes the issue of trafficking women from Eastern Europe by taking a fictionalized look at two sisters who are unwittingly lured into an international prostitution ring.

"You can't understand the subject and become aware of it and research it like we did and explore the depths that we have without hoping that it makes an impact," actor Wendy Crewson said in a telephone interview from her Toronto home.

"The idea that it's cheaper to traffic a human life now than it is to traffic drugs is a startling and horrifying fact of our world. It's really easy to stay a little naive about it or a little blind to it.

"I think that's television at its very finest - that you are made aware of something."

Sex Traffic had a gala presentation at the recent Atlantic Film Festival in Halifax. Wayne Grigsby of Chester is executive producer of this international co-production with his company, Big Motion Pictures, and Britain's Granada Television for Channel 4 and the CBC.

Crewson (24, The Many Trials of One Jane Doe) plays Madeleine Harlsburgh, the head of U.S. defence contractor Kernwell International's charity foundation.

She encounters evidence that leads her to suspect her husband, Tom (Chris Potter), CEO of Kernwell, may be involved in a coverup involving the disappearance of young women.

Luke Kirby (Mambo Italiano) plays Callum Tate, a Canadian security officer working for Kernwell who witnesses sex trafficking and has the strongest piece of evidence against the company.

Based on research and testimony in Eastern Europe, the story centres around Elena and Vara, sisters who are trafficked through Romania, Serbia, Albania, Bosnia and Italy. They eventually make it to London, although by different routes.

Also among the international cast are Canadian actors Len Cariou (About Schmidt) as Magnus Herzoff, chairman of the board of Kernwell; Robert Joy (Fargo) as Maj. James Brooke; and Maury Chaykin (Nero Wolfe) as corporate lawyer Ernie Dwight.

British actor John Simm stars as Daniel Appleton, an investigator for a London-based charity.

The sisters are played by newcomers Anamaria Marinca and Maria Popistasu, whose natural performances are outstanding.

"You could tell on the set that they were stunning. They've never done any film work. They were both right out of theatre school in Romania," Crewson said.

"There's a great seriousness to their lives. There's a thoughtfulness that you don't see here so much and a real sort of political awareness."

The story of desperate and destitute women being steered into sexual slavery is sometimes difficult to watch. The filmmakers didn't flinch when it came to making their points.

"It's tough now to make compelling television. Your audience is weaned on different kinds of things. Reality shows have made it really hard," Crewson said.

"We have to rethink drama. Because people are sophisticated, in a sense. They want it immediately. It has to all come together in this startling and compelling way."

Kernwell, the fictional defence contractor, is based in Boston. Scenes set there were shot around Halifax during a period that included the February blizzard.

Viewers will see several shots in downtown Halifax with very high snowbanks in the background.

"We shot outside that whole week. And getting around was really tough. And it was bitterly cold. . . . It was hypothermia. I thought, 'I'm going to die,' " Crewson said.

"That (first) morning of the storm - and we knew it was coming - they decided they were going to go ahead and shoot, and it's the big opening charity dinner."

The fundraising gala organized by Crewson's character was shot at the Lord Nelson Hotel. Some in the production crew were skeptical that any footage would be shot.

"The town was shut down except us. We were shooting. We had a big party going on in the ballroom. And the Brits could not believe that the extras showed up in the storm. So I'm walking around like, 'Yeah, this is nothing for us Canadians,' " an ebullient Crewson recalled.

"It was so nice being there to witness that. How often do you get to see something like that?"

Madeleine Harlsburgh is one of the few characters in Sex Traffic who has scenes in both Boston and Europe. As a result, Crewson got to work with most of the behind-the-scenes people on the project.

"We had British crew, Canadian crew, Romanian crew. I love that sort of mix-it-all-up in the artistic community. Everybody brings a nice flavour and everybody gets to try something different."

The travels of Crewson's character allowed her to feel connected to the larger story, which plays out over four hours.

"I have to say it did feel like a sprawling picture. It felt that way when I first read it, though. The script arrived like a phone book."

Crewson's name was brought up by producers as a possible member of the Canadian contingent, but she ended up making initial contact in Hollywood.

"I was down in L.A., oddly enough, shooting the great Canadian series 24," Crewson joked.

(Series regulars Kiefer Sutherland and Elisha Cuthbert are from Canada, and Leslie Hope, born in Halifax, played Sutherland's wife in the first season of 24.)

"I was down there and they were in L.A. meeting Canadians. Because that's where you want to go to meet Canadians," she said.

"I read the script and I just loved it, and we had a long discussion about the politics of it and who these people were."

Crewson has just gotten back from Winnipeg, where she was shooting Niagara Motel. The feature film is an ensemble comedy written by George F. Walker (This is Wonderland).

She starts working next week in Montreal on another intense project, this time about United Nations High Commissioner for Human Rights Louise Arbour, called Endgame in Kosovo.

"I had the summer off. I was fine. I had a good break," Crewson said.